Presonus StudioLive Remote Bedienungsanleitung PDF herunterladen (Seite 33)

Addendum for

StudioLive Mixers

OverviewStudioLive

Remote

QMixTroubleshooting

Universal Control 1.6 with VSL 2

Universal

Control and

VSL

VSL: Virtual StudioLive 2.5

Power User Tip: Bring back the level on the GEQ slider to the point just before feedback,

so you don’t take out too much of that frequency content and sacriﬁce overall timbre.

Because the speaker is pointed at the mic, stage-monitor feedback typically occurs

in the higher frequencies, which also is where intelligibility comes from. Maximizing

your intelligibility and gain structure results in clearer-sounding monitors.

You can apply this process to the Main system, as well.

This is especially useful with applications requiring lavalier

or podium mics. These types of microphones are typically

omnidirectional condensers and are very prone to feedback.

In a main system, feedback is typically in the mid to low range. The

frequencies that are regenerating and creating a feedback loop

are those frequencies that are wrapping around the main system

due to the loss of directional control of lower frequencies.

When you are ringing out a system, and more than two or

three feedback loops are happening simultaneously, you have

reached the level where stability can no longer be achieved.

Try bringing down the overall output level or ﬁnd a physical

solution, such as moving the speaker or microphone.

2.5.9 Using the Smaart RTA While Mixing

The RTA and Spectrograph have useful applications beyond

recognizing feedback spikes. The ability to analyze frequency content—

speciﬁcally, being able to visualize the exact frequencies you are

hearing in order to home in on problem areas— makes the RTA a

secret weapon for many a mix engineer. The Spectra tools also lend

themselves very well to ear training and give you conﬁdence that

you are choosing the right frequencies when making adjustments.

Because the RTA/Spectrograph is analyzing the bus signal

digitally, room and speaker anomalies are taken out of the

equation. This provides a pure measurement of your mix because

you are measuring what is happening inside the console.

A Spectrograph shows the broadband information of a signal, making

it easy to view the fundamental frequency of a source, as well as its

harmonic structure. The RTA is a view of amplitude and frequency

content over a speciﬁed plane. With the Spectrograph, you can view

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